Tag: philosophy

  • The verse book that returned meaning to your journey

    The verse book that returned meaning to your journey

    Carlos was 62 years old and a feeling that he could not find a name: after he retired, and with his wife, Maria, leaving for a disease that took little time, he felt that his life had broken down like an old role. The days all looked the same, a heavy silence lived in the corners of the house and the thoughts came to the mountains, confused, unordered, like dried leaves carried by the wind. He'd wake up, make up the bed, make coffee, look out the window and wonder, what's the point of all this, if there's no one else waiting for me? No account, no logic, no practical explanation could answer that question. The world seemed like a cold, meaningless place.

    One day, when he got a forgotten drawer, he found a darkcover notebook that had been Maria’s. Expected recipes or household notes — But when he opened it, he discovered verses. She had been writing for years, never telling him: she spoke of the wind in the window, of the beauty of a shared coffee, of the longing I had imagined feeling, of the certainty that life, even with its pains, was worth living. As he read those words, Carlos felt something strange and soft happen within himself: suddenly, that pain that seemed formless, nameless and endless, gained voice. The chaos of your feelings began to organize. He was no longer alone in that sense of loss. — someone he loved had experienced similar concerns, and had managed to transform pain into something beautiful, that could be touched and read.

    Gradually he began reading more: poems by Carlos Drummond de Andrade, by Cecília Meireles, by Manuel Bandeira — voices of our land, who spoke with their tongue, with their way of seeing the world. And poetry was doing its job, slowly, without hurry. Reading verses that described loneliness or the passage of time, he realized that he was not the only one to feel it: his personal pain became part of a larger story, an experience common to all human beings, and this brought a profound, almost liberating relief. By putting himself in the place of the poets, by feeling what they said, he began to look more carefully at the people around — for the neighbor who walked low, for the market attendant who smiled with effort — and understood that each one carried his own pains and desires, even if they did not say them. His ability to understand the other grew, without him realizing it: empathy became part of his daily life.

    When the thoughts came confused and agitated, a certain verse brought clarity, as if a light lit up within it. And gradually, he was gaining strength to follow: he realized that loss does not erase what he lived, that longing is also a form of love, and that uncertainty is part of the way. Poetry has given him resilience: it has shown that generations have experienced difficulties like his own, and have managed to transform suffering into beauty and reflection.

    Carlos reads a poem every morning today. He no longer pursues a grand sense or definite answers. He learned, with lyrical sensitivity, that the fullness of life is not in how much we conquer or how much we hurry, but in the intensity with which we live every small moment: the sun that enters through the window, the taste of coffee, the gentle memory of those we love. He found that poetry doesn't give all the answers — but it teaches us to see, feel and value our brief and precious passage through the world. And that, after all, is all we need to walk.

  • Poetry: The Art That Gives Sense to Our World Pass.

    Poetry: The Art That Gives Sense to Our World Pass.



    Living is, first of all, an experience full of mysteries, contradictions and questions that rarely find definitive answers. In the midst of the daily rush, among worries, passing joys and pains that seem to have no name, we often feel that our thoughts are scattered, like leaves carried by the wind. It is in this scenario that poetry appears as one of humanity's deepest and most necessary creations: a delicate but firm bridge that connects us to ourselves and to the world that surrounds us.

    The poetic creation functions as a special tool of mediation between the individual and the whole complexity of existence. By choosing each word carefully, by giving rhythm and form to what before was just a vague feeling or a whirlwind of confused ideas, the poet manages to do something extraordinary: he orders the chaos that exists within each of us. It gives visible form to what is abstract, voice to what was silent and felt to what seemed unexplained. This organization is not just an aesthetic exercise — It brings a deep, almost liberating relief. The small and great pains of everyday life cease to be isolated sufferings and gain the dimension of shared reflection, transforming personal experiences into something that belongs to everyone. Poetry thus becomes a mirror in which we recognize our own search, our fears and our deepest desires.

    And its benefits go far beyond the simple pleasure of reading or hearing beautiful verses. As we approach lyrical art, we undergo transformations that touch the most intimate of our being. By putting us in the place of those who wrote, or by feeling what a verse awakens in us, we naturally develop a greater capacity to understand the pains, desires and motivations of others. — our empathy expands, and we realize that despite the differences, we share the same human essence. When we find in a poem words for what we feel but cannot say, our thoughts are organized, ideas are clarified and confusion gives room for a sense of peace and clarity. And, above all, poetry helps us build resilience: by seeing that feelings such as loss, longing or uncertainty have been lived and transformed into beauty by so many people before us, we gain strength to face the losses and challenges that are inevitable part of our journey.

    The sensitivity that poetry awakens in us also brings a precious lesson: it shows us that the fullness of a life is not measured by how much we conquer or run, but by the intensity with which we live each present moment. In a world that always pushes us into the future, that makes us chase after what we do not yet have and forget what is before us, lyrical art teaches us to stop, observe and feel. When we opened up to her — especially for the richness of our brazilian literature, which portrays with such truth our way of being — we realize how poetry can capture, with a precision that reason sometimes does not reach, the essence of our brief, but precious, passage through the world.

  • The Praise of Imperfection: Because the Pie Tree preserves its freedom.

    The Praise of Imperfection: Because the Pie Tree preserves its freedom.


    In the immense collection catalogue of the contemporary world, the straight line is the gold standard. We are taught, from very early on, that the value of a life is measured by its practical usefulness: by income, by impeccable curriculum, by quick response and by the almost superhuman ability to adapt to any requirement. They want us to be like perfect trees, straight and predictable trunks, ready for cutting. However, there is an ancient wisdom — rescuing metaphors from trees, animals and dreams — which reminds us of a comforting truth: the pie tree grows free, while the straight tree ends up in the hands of the carpenter.
    This image deconstructs the rigidity of human certainties and our relentless pursuit of prestige. What the social and economic system calls "defect" or "utility" may actually be the greatest defense mechanism of an individual. The lack of immediate utility for the market becomes protection. While the straight symmetrical tree attracts the axe because it is considered "useable", the tree full of us and curves remains standing, fulfilling its natural cycle, giving shade and sheltering birds. She doesn't serve the carpenter, but she serves life.
    The Pillars of Sacred Uselessness
    To understand this philosophy of detachment and inner silence, we need to turn upside down the concepts of success that sell us daily. The freedom proposed by this metaphor is based on five fundamental pillars:
    Appearing Utility vs. Own Value: The apparent usefulness is what the system validates as advantageous or productive. Self-worth, on the other hand, precedes any external approval; it exists whether you serve someone's interests or not.
    Spontaneity and Wu Wei: Living with spontaneity means inhabiting nature itself without forcing an artificial form to fit in other people's ways. It is the concept of Wu Wei — to act in harmony with the natural flow of things, without the need to control everything by force or mental wear.
    Disagreement of Fame: It means disfigure the idea that the whole life should be organized around positions, titles or social prestige.
    Important: This perspective does not defend irresponsible passivity or contempt for daily commitments. What she questions is the neurotic obligation to fit absolutely every pattern just to be accepted. Preserving its essence requires accepting the price that not everyone will understand its way of living, thinking or choosing.
    The Revolution in Routine: Return to Singularity
    Bringing the wisdom of the crooked tree into everyday life does not require great dramatic ruptures, but small, firm and decisive choices. In practice, our freedom is protected when we exercise four essential movements:
    Say no: Refuse tasks, invitations or social roles that nullify our personal limits and silence our mental health.
    Avoid comparison: Understanding that life itself does not need (and should not) be measured by the fast pace or by the goals achieved by others.
    Protect singularity: Recognizing once and for all that not every difference is a defect that needs to be corrected. Your knots and curves are part of your identity.
    Reduce the rush: Accept processes and paths that do not generate immediate financial or practical results, but preserve their emotional balance.
    At first, giving up the "perfection" required by the carpenter may seem a disadvantage. The world will suggest you're falling behind. But just look around to realize that what prevents someone from being "used" and chewed by the system is exactly what preserves their health, their peace of mind and their unique way of existing. In the theater of life, being a crooked tree is not a failure; it is the most sublime act of freedom.

  • The Force of Self-determination: How to Break the Cycle of Expectations and Resentance.

    The Force of Self-determination: How to Break the Cycle of Expectations and Resentance.


    Much of our emotional suffering is not born from the events themselves, but from the invisible script we write for others' behavior. We live anticipating reactions, projecting attitudes and waiting for the world to dance according to our music. When reality inevitably fails to follow this imagined script, the result is almost always the same: frustration and resentment. For centuries, great thinkers of humanity have pointed to an uncomfortable but deeply liberating truth: suffering is a matter of expectations.
    Illusion of Control and the Stoic Lens
    The idea that you are the only territory on which you exercise real authority is the basis of the so-called Control Dichotomy, a pillar of stoicism. The ancient philosophers claimed that life is divided between the things that depend on us and those that do not depend. About the actions, thoughts and desires of others, we have only the illusion of influence.
    What affects us is not exactly what happens externally and objectively, but what we tell ourselves about what happened. True happiness and freedom begin with a clear understanding of this principle. The behavior of others is completely beyond our reach. The real problem lies in something that is in our possession: our expectations.
    Studies and analyses of human behavior suggest that about 80% of our mental suffering is the result of unrealistic expectations. These projections are built from past experiences, family models and cultural influences. They function as a psychological prediction to maintain a sense of control over reality. When someone does not respond to this mental feedback, disappointment sets in. If this pattern repeats itself, sorrow turns into chronic resentment.
    The Labyrinth of Resentance and Irrational Beliefs
    Resentment is a complex emotion that is not born of what others do, but of the abyss between their actions and what we hoped they would do. In modern psychology, the conviction that the world and the people around it must act in a certain way is classified as an irrational belief.
    The solution to this continuous wear is not to try to change people around you. — an inglorious task and doomed to failure —But to review their own criteria. There is a timeless maxim that sums up this movement precisely: "The superior man demands of himself; the inferior man demands of others." One who demands much of his own conduct and expects little of external reactions keeps resentment at bay, shielding his peace of mind.
    Ren: The Cultivation of Self for the Living with the Other
    This posture should not be confused with apathy or submission. There is a crucial difference between ignoring problems, swallowing unpleasant situations or avoiding setting limits, and knowingly deciding where to invest your time and your vital energy. Changing focus does not mean resignation, but rather changing the starting point of your actions.
    This balance dialogues directly with the Eastern concept of Ren, one of the noblest virtues of Confucian philosophy. Often translated as benevolence or humanity, Ren represents the ability to cultivate oneself to live better in community. It's the art of learning to take care of your own mind so you can then be able to interact healthyly with others. After all, no one can offer what he does not have, nor act with genuine generosity when he lives charging emotional bills from the world.
    The Power of Serene Limits
    You can — and should — point out what's wrong, set firm limits and walk away from environments or people that hurt you. The great turn of key is in doing this from serenity, not from accumulated anger.
    There is an abyss between saying to someone "it doesn't seem right to me and I'm going to walk away" with total tranquility, and spending weeks oozing over this person's behavior until he consummates his thoughts.
    The first scenario is an act of self-respect that is born from its internal control center. The second is an infertile projection facing out, which delivers control of your well-being into the hands of third parties.
    Instead of wasting energy monitoring if others are matching their standards — and getting angry when they fail —, the smartest way is to direct that same force to meet its own goals and values. Although resentment and expectations are deeply human and old problems, the exit remains the same: collect your projections, assume the authorship of your life and live more quietly.

  • The Time Masks Ball: How the Second Half of Life Translates Our Own History

    The Time Masks Ball: How the Second Half of Life Translates Our Own History


    Life, in its vast complexity, resembles the production of a great literary work. The philosopher Arthur Schopenhauer once synthesized this journey with a brilliant metaphor: the first forty years of our existence provide the text; the following thirty, the comment on it. What this analogy reveals is that, during youth, we are too busy writing the lines of our history through experiences, mistakes, impetuous desires and impulsive decisions. It is only when we cross the border of 40 years that we gain the necessary distance to read, interpret and understand the true meaning, cohesion and subtleties of what we write ourselves.
    Unlike what modern clichés suggest, life does not "begin" at 40, but it is from this framework that the most critical and reflective stage of our experience begins. Without this subsequent comment brought by maturity, the initial text of our youth would remain as a pile of disconnected chapters. There is in us a natural psychological tendency to revisit history itself in old age to reorganize it and give it meaning. This means that the same traumatic or glorious events we experience as young people change dramatically meaning depending on how we integrate them and reframe them decades later.
    The last years of life are like the end of a masquerade ball, when the masks finally fall off.
    This dynamic of self-discovery is supported by science through a phenomenon known as the "peak of reminiscence". Psychological studies show that adults, especially after 40 years of age, remember with surgical clarity the events that occurred between 15 and 30 years of age. The reason is simple: it was during this period that our identity was shaped and the most crucial decisions were made. On the other hand, as age progresses, the routine is established and fewer and fewer things seem unprecedented or significant enough to be archived in the long-term memory; time, in a way, begins to slip between the fingers without leaving obvious traces.
    This transition also profoundly alters our attitude towards the world. If youth is the time of poetry, driven by the ardent desire for utopian happiness that we never fully attain, old age naturally leans towards philosophy. In the second half of life, the focus changes: the incessant pursuit of pleasure gives way to the mature desire to avoid misfortune and preserve peace of mind. As the journey approaches the end, the mist of illusions dissipates. Everything becomes clearer because the meaning of our lives is not static; it is in constant construction and reconstruction, proving that time, after all, fulfills its noblest promise: to make us experts and wise about our own biography.

EnglishenEnglishEnglish